Everyone’s heard of mandalas; now we have a uniquely rich history and explanation of their history and meaning. This book is a history of the genesis and development of the mandala from the fifth and sixth centuries, when the mandala first appeared in India, to the eleventh century, when the Kalacakratantra appeared just before the disappearance of Buddhism in India. The 600 years of Indian esoteric Buddhism that concluded the 1,700-year history of Indian Buddhism could be said to have been the history of the development of the mandala. (The Kalacakratantra integrated earlier mandala theories into a single system and established a monumental system unprecedented in the history of esoteric Buddhism. It was thus the culmination of the development of Indian Buddhism over a period of 1,700 years.) The analysis is at the micro level and includes numerous illustrations and charts. Particular attention is paid to proper names, mudras, and mantras that have been overlooked by scholars in philosophy and doctrine, and the author tackles issues that cannot be explained solely from a historical viewpoint, such as geometric patterns, the arrangement of deities, the colors, and their meaning in Buddhist doctrine.
Imagine that you found a map to the invisible realms of mind and spirit. What might you discover? Such maps have been drawn for thousands of years in myriad cultures throughout the world. Today, we refer to them by the Sanskrit term mandala, loosely meaning the whole world.Mandalas are universally associated with healing and prayer. Creating mandalas is an absorbing and relaxing way to enhance your life journey. Based on Clare Goodwins 35 year exploration of the mandala as an artist, therapist, and teacher of students world-wide, Gifts of the Mandala: A Guided Journey of Self-Discovery invites you to deepen your understanding of yourself through the sacred art of mandala making.
Important Note about PRINT ON DEMAND Editions: You are purchasing a print on demand edition of this book. This book is printed individually on uncoated (non-glossy) paper with the best quality printers available. The printing quality of this copy will vary from the original offset printing edition and may look more saturated. The information presented in this version is the same as the latest edition. Any pattern pullouts have been separated and presented as single pages. If the pullout patterns are missing, please contact c&t publishing.
A Creative Guide for Self-Exploration, Balance, and Well-Being
Author: Susanne F. Fincher
Pubpsher: Shambhala Publications
Category: Crafts & Hobbies
Mandala-making is fun, relaxing, and can show you things about yourself that may surprise you. Susanne Fincher invites you to make mandala creation a practice, and to experience the insights and delights it can provide. Based on ancient European artifacts, contemporary religious iconography, and traditional tantric art, mandalas are circular designs that offer a profound symbol of the wholeness of the self. The Mandala Workbook offers a complete guide to mandala work, based on the Great Round-the twelve archetypal stages that represent a complete cycle of personal growth. Each chapter focuses on one stage and aims to fully engage readers in the meaning or purpose of that stage. Through a variety of step-by-step exercises and activities, each chapter provides mandala-making projects to help connect readers with the transformative powers of the mandala. Building on her previous books, Susanne Fincher highlights connections between the archetypal imagery of circles and working toward a balanced wholeness of self. This book combines theory and philosophy with practical and creative methods to present an engaging and hands-on approach to mandala work.
Ellora is one of the great cave temple sites of India, with thirty-four major Buddhist, Hindu, and Jain monuments of the late sixth to tenth centuries A. D. This book describes the Buddhist caves at Ellora and places them in the context of Buddhist art and iconography. Ellora's twelve Buddhist cave temples, dating from the early seventh to the early eighth centuries, preserve an unparalleled one-hundred-year sequence of architectural and iconographical development. They reveal the evolution of a Buddhist mandala at sites in other regions often considered "peripheral" to the heartland of Buddhism in eastern India. At Ellora, the mandala, ordinarily conceived as a two-dimensional diagram used to focus meditation, is unfolded into the three-dimensional program of the cave temples themselves, enabling devotees to walk through the mandala during worship. The mandala's development at Ellora is explained and its significance is considered for the evolution of Buddhist art and iconography elsewhere in India.