Vampires? Werewolves? Ghosts? Not quite. This anthology of horror peels back the veneer of normalcy to uncover the strange and spine-tingling fears lurking behind. Created by the minds of Singapore American School's Advanced Topic Writing Workshop and Publication students, this collection of twenty-five oddly specific horrors will make you look twice at everything from a Barbie doll to a ball of twine.
Morbid Curiosities is an insight into the strange world of collectors of the macabre. Centred on 15 collections, with extensive interviews with each collector and specially shot imagery detailing their objects, this is a fascinating showcase of bizarre and intriguing objects. Included are collections of skulls, mummified body parts, occultic objects, and various carnival, side-show and criminal ephemera. Detailed captions tell the curious stories behind each object, many of which are being shown outside the private world of their collections for the first time. Included are collections of skulls, mummified body parts, occultic objects, and various carnival, side-show and criminal ephemera. Detailed captions tell the curious stories behind each object, many of which are being shown outside the private world of their collections for the first time.
A noted celebrity journalist recounts the disturbing, unexpected, appalling, and occasionally humorous details of the deaths of the rich and famous, including historical figures like Attila the Hun and celebrities like Anna Nicole Smith. Original.
Which author had the heaviest brain? What was the original title of 1984? When did cigarettes first appear in English literature? And, while we’re at it, who wrote the first Western, and is there any link between asthma and literary genius? Sutherland’s irreverent literary exploration illuminates every topic imaginable from author advances to Civil War literature to Victorian sex to odd things eaten by literary characters (think Patrick Bateman’s girlfriend in American Psycho). This is a treasure trove of fascinating information for all book lovers.
Author: Elena Stylianou,Theopisti Stylianou-Lambert
Pubpsher: Taylor & Francis
Museums and Photography combines a strong theoretical approach with international case studies to investigate the display of death in various types of museums—history, anthropology, art, ethnographic, and science museums – and to understand the changing role of photography in museums. Contributors explore the politics and poetics of displaying death, and more specifically, the role of photography in representing and interpreting this difficult topic. Working with nearly 20 researchers from different cultural backgrounds and disciplines, the editors critically engage the recent debate on the changing role of museums, exhibition meaning-making, and the nature of photography. They offer new ways for understanding representational practices in relation to contemporary visual culture. This book will appeal to researchers and museum professionals, inspiring new thinking about death and the role of photography in making sense of it.
This book is the third in my series of four books dealing with Intelligence, Instincts, and Consciousness. The simple and truthful realization of what we are, and how we got to where we are within nature's world, is the ultimate truth that any philosophy could ever propose to know. It is ultimately the most powerful state that any human mind can ever attain. It is a true kind of nirvana. It is with this knowing state of mind that we can make ever-new beginnings and provide for a future where our chances are best for surviving whatever random hells that nature will with great certainty rise up against us. The fact that we might have to eventually face up to what we are as completely definable creatures in terms of a very complex organization of billions of very simple structures is not in anyway whatsoever a degradation of the truth of our humanity. Understanding what we are has led us to realize both the miraculous and morally good achievements of our kind, and also to an understanding of the basic nature of our more hidden ugly and evil actions.
Devices of Curiosity excavates a largely unknown genre of early cinema, the popular-science film. Primarily a work of cinema history, it also draws on the insights of the history of science. Beginning around 1903, a variety of producers made films about scientific topics for general audiences, inspired by a vision of cinema as an educational medium. This book traces the development of popular-science films over the first half of the silent era, from its beginnings in England to its flourishing in France around 1910. Devices of Curiosity also considers how popular-science films exemplify the circulation of knowledge. These films initially relied upon previous traditions such as the magic-lantern lecture for their representational strategies, and they continually had recourse to established visual iconography, but they also created novel visual paradigms and led to the creation of ambitious new film collections. Finally, the book discerns a transit between nonfictional and fictional modes, seeing affinities between popular-science films and certain aspects of fiction films, particularly Louis Feuillade's crime melodramas. This kind of circulation is important for an understanding of the wider relevance of early popular-science films, which impacted the formation of the documentary, educational, and avant-garde cinemas.
The one-liners fly like rockets in THE NEW CENTURY, the rollicking bill of short plays by Paul Rudnick...Building on time-honored traditions within gay and Jewish humor, Mr. Rudnick turns stereotypes into bullet-deflecting armor and jokes into an inexhaust Compelling drama...deliriously entertaining. --The New Yorker. Hilarious...raw and revealing. --EdgeNewYork.com. Playwright Jason Chimonides' script abounds with witty remarks, dirty allusions, and random tangents where high art and popular culture collide
How Information and Technology Made the Modern World
Author: Jeremy Black
Pubpsher: Yale University Press
Information is power. For more than five hundred years the success or failure of nations has been determined by a country’s ability to acquire knowledge and technical skill and transform them into strength and prosperity. Leading historian Jeremy Black approaches global history from a distinctive perspective, focusing on the relationship between information and society and demonstrating how the understanding and use of information have been the primary factors in the development and character of the modern age. Black suggests that the West’s ascension was a direct result of its institutions and social practices for acquiring, employing, and retaining information and the technology that was ultimately produced. His cogent and well-reasoned analysis looks at cartography and the hardware of communication, armaments and sea power, mercantilism and imperialism, science and astronomy, as well as bureaucracy and the management of information, linking the history of technology with the history of global power while providing important indicators for the future of our world.