Neuromancer

Neuromancer

Case, a burned-out computer whiz, is asked to steal a security code that is locked in the most heavily guarded databank in the solar system, in a new edition of the influential Hugo, Nebula, and Philip K. Dick Award winner. Reprint.

Neuromancer

Neuromancer

The sky above the port was the colour of television, tuned to a dead channel. William Gibson revolutionised science fiction in his 1984 debut Neuromancer. The writer who gave us the matrix and coined the term 'cyberspace' produced a first novel that won the Hugo, Nebula and Philip K. Dick Awards, and lit the fuse on the Cyberpunk movement. More than three decades later, Gibson's text is as stylish as ever, his noir narrative still glitters like chrome in the shadows and his depictions of the rise and abuse of corporate power look more prescient every day. Part thriller, part warning, Neuromancer is a timeless classic of modern SF and one of the 20th century's most potent and compelling visions of the future.

Neuromancer

Neuromancer

Case, a burned-out computer whiz, is asked to steal a security code that is locked in the most heavily guarded databank in the solar system, in a special twentieth anniversary edition of the influential Hugo, Nebula, and Philip K. Dick Award-winning novel.

Revelator Book 1: The Neuromancer

Revelator Book 1: The Neuromancer

Through the madness I shuffle. A wretched shell of the man I was when her love possessed me. Lucifer has given me one chance at redemption. I am compelled to drag myself to the dusty finish line. Compelled by the love I have somewhere in my drowning heart and by the curiosity of a new adventure that will, one day, surely kill me. This is the story of William Control.

A Study Guide for William Gibson's "Neuromancer"

A Study Guide for William Gibson's

A Study Guide for William Gibson's "Neuromancer," excerpted from Gale's acclaimed Novels for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.

William Gibson's 'Neuromancer' and the Relation Between Mind and Body

William Gibson's 'Neuromancer' and the Relation Between Mind and Body

Seminar paper from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 1 (very good), Otto-von-Guericke-University Magdeburg (Institut fur fremdsprachliche Philologien), course: Cyborgs (WS 2001/2002), 4 entries in the bibliography, language: English, comment: This paper is about William Gibson's 'Neuromancer'. Neuromancer was the book that initiated the cyberpunk debate, which was very influential in culture studies. The paper explores Gibson's position towards the mind-body-problem, i.e. the relation between mind and body., abstract: This paper is about William Gibson's famous novel "Neuromancer." Neuromancer was the book that initiated the cyberpunk debate, a debate that was very influential in culture studies and modern literature. The cyberpunk debate created a more suspicious image of new technologies and their effect on the role of the human being as well as the social life and the society. Gibson's position towards the mind-body-problem, i.e. the relation between mind and body, is examined. An overview is given of possible technologies he describes and how they trigger the breakdown between man and machine as well as between individuals. The paper also sketches the effects of those technologies on social interaction, moral values and the structure of the society."

Revelator Book One: The Neuromancer

Revelator Book One: The Neuromancer

Through the madness I shuffle. A wretched shell of the man I was when her Love possessed me. Lucifer has given me one chance at redemption. I am compelled to drag myself to the dusty finish line. Compelled by the love I have somewhere in my drowning heart and by the curiosity of a new adventure that will one day, surely kill me. This is the story of William Control

The Urban Condition

Space, Community, and Self in the Contemporary Metropolis

The Urban Condition

What does the Western city at the end of the twentieth century look like? How did the modern metropolis of congestion and density turn into a posturban or even postsuburban cityscape? What are edge cities and technoburbs? How has the social composition of cities changed in the postwar era? What do gated communities tell us about social fragmentation? Is public space in the contemporary city being privatized and militarized? How can the urban self still be defined? What role does consumer aestheticism have to play in this? These and many more questions are addressed by this uniquely conceived multidisciplinary study. The Urban Condition seeks to interfere in current debates over the future and interpretation of our urban landscapes by reuniting studies of the city as a physical and material phenomenon and as a cultural and mental (arte)fact. The Ghent Urban Studies Team responsible for the writing and editing of this volume is directed by Kristiaan Versluys and Dirk De Meyer at the University of Ghent, Belgium. It is an interdisciplinary research team of young academics that further consists of Kristiaan Borret, Bart Eeckhout, Steven Jacobs, and Bart Keunen. The collective expertise of GUST ranges from architectural theory, urban planning, and art history to philosophy, literary criticism and cultural theory.

"New" Exoticisms

Changing Patterns in the Construction of Otherness

All civilisations have both feared and been fascinated by what lies beyond their limits, and have to a greater or lesser extent construed their “others” as exotics. Given that, even in its most consumerist fashion, the adoption of the exotic goes back a long way, what, then —if anything— is new in contemporary versions of exoticism? This volume attempts to offer some answers to this question. The first of its three sections serves as an extended introduction to the concept and practice of exoticism, considering the phenomenon from a number of theoretical and critical positions, explicitly examining —sometimes via significant examples— the particular attributes of exoticism. The second and third sections are more strictly text-based, relying on the analysis of specific instances of film in the former and literature in the latter, in order to tease out some specific uses of the exotic –whether ethnic, gendered, sexual or other. This volume will be of interest to scholars and students working in the fields of representation, cultural theory, postcolonialism, gender, ethnicity, sexuality, cinema and literature.